Items starting with C
A Collection Manager (in some museums known as the registrar) is responsible for the the care, inventory, and maintenance of the museum object collection.
Depending upon the museum set up, collection managers may also be in charge of exhibit design and installation of museum objects.
New exhibition projects typically begin with a conceptual phase in which a subject and a visitor target group are selected.
It is common to make use of a front-end analysis to generate subject candidates. In such an analysis, previous projects are assessed and demographic data of the visitor population is acquired.
It is also common to assess the kinds of knowledge the target group have of the chosen subject, their interests and priorities, or to attempt to find ways to attract visitors from community groups that seldom visit museums.
After the production team has generated a number of ideas, available resources for completing the project are assessed, together with the appropriation of a suitable time slot in the exhibition schedule.Source: http://cid.nada.kth.se/pdf/258.pdf
Conservators are the caretakers of objects. They are specialists, trained in the preservation and restoration of artifacts. Their tasks: to repair damage and to mitigate object deterioration, in an effort to preserve the object as long as possible and make it stable enough for display.
"Copyright is the right to copy and publish a particular work.
The terms "copy" and "publish" are quite broad. They include copying in electronic form, the making of translated versions, the creation of a television program based on the work, and putting the work on the Internet.
A work is protected by copyright if it is a literary or artistic work. This general expression covers almost all products of creative and original effort.
All countries within the European Union are signatory states of the Berne Convention. Additionally, Copyright in the European Union is regulated through European Directives. The member states of the European Union have, following a directive, increased the term to life of the author and 70 years after their death."
"This term focuses on the shared experiences, histories and, more importantly, the central role that sign language has within the Deaf community. It is this key characteristic that differentiates Deaf and “hearing” people. In the Deaf community we see the two separate cultures as the “hearing world” and “Deaf community”.
The Deaf community is international. What binds Deaf people, despite their different national sign languages, is their shared visual communication, history, cultural activities, and the need for a Deaf “space” where people come together.
The Deaf Cultural Model rejects the “medical definition of deafness” as either a loss or impairment. This is comparable with the Social Model of disability and Disabled people’s rejection of the Medical Model. Where the Deaf community sometimes depart from the Social Model is around the term “impairment”. For the majority of culturally Deaf people there is no “impairment nor hearing loss”. What makes the British Sign Language (BSL) Deaf community unique has been its campaign to be recognised as a linguistic minority. For the BSL Deaf community the capital “D” is used in a political sense to demonstrate their campaign for cultural and linguistic recognition.
For many members of the Deaf community their shared history is both personal and social. Deaf people will have gone to the same school, in many cases boarding schools where most of their younger lives will have been spent together, and then met again at their Deaf clubs, Deaf social events, reunions and other more personal events.
One of the first things a Deaf person will often ask on meeting, before asking your name, is what school or Deaf club you go to. Making this connection is an important part of any greeting, as it will then help an individual to understand what shared history or people in common you may have."Source: https://www.inclusionlondon.org.uk/disability-in-london/cultural-model-of-deafness/the-cultural-model-of-deafness/
A person who oversees and manages a museum and its collections.
Curators are subject matter experts in an area that fits the museum’s object collection. A curator’s primary focus is the crafting of exhibit themes and narratives. They also contribute to subject-area research, object cataloging, and publications.